Face 2 Face Workshops
Lisa Klakulak focuses her instruction on understanding the material and process in order to apply good technique to create material integrity. STRONGFELT courses are not kit or generally project oriented, rather, participants work through technical studies to discover structural and aesthetic possibilities leading to ideation for future work. This empowering approach provides a knowledge base to navigate results and to achieve personalized visions and aesthetics in the felt medium.
Workshops descriptions listed below are examples of recent teaching and topics covered under a course title may vary depending on the length of course offered. Participants are requested to bring specific supplies in addition to the materials provided with the materials fee for each course and these lists/fees are made available by the hosting venue. Additionally, Klakulak offers special studio tools and a collection of her work for sale to participants.
Hosting venues can contact Lisa Klakulak through the CONTACT link to discuss the possibilities of hosting a workshop and/or lecture for your institution and its patrons. Slide lectures are available for an additional fee and through excellent visuals and dynamic delivery, address the unique qualities of wool and the wet felting process, Klakulak’s residency experiences, development of product, concepts and teaching approaches as well as the influences of her broad travels on her work and approach to life.
Visit the WORKSHOP SCHEDULE link for a current list of workshops scheduled.
Contact the hosting venue listed and linked there for pricing, enrollment and further questions.
TWO-DIMENSIONAL FELTING TECHNIQUES:
Patterning Felt
Felt Fusion Through Substrates
Fabric Fusion & Object Inclusion
Felted Imagery
THREE-DIMENSIONAL FELTING TECHNIQUES:
Solid Form Felting Techniques
Sculpting Three-Dimensional Felt Surfaces
Resist-Based Pendants
Sculpting Hollow Form
Course Descriptions:
TWO-DIMENSIONAL FELTING TECHNIQUES
Click titles below for the course descriptions
*All levels | suggested time: 3-4 day course
This class focuses on a skill set for articulating shapes and creating repeating patterns on felted surfaces. Partial-felts (also known as pre-felts, but different than a needle felted batt) is the term Klakulak uses for wet felting fibers into a 2-D sheet for the purpose of cutting shapes to be felted to a background of loose fiber. Depending on the initial thickness of the sheet layout, the amount of felting/fulling that occurs before the shape application and the thickness of the fleece background an unimaginable range of effects can be achieved. Learn to control shape edge quality, background color “bleed, surface dimension and edge shaping while experimenting with color gradations, shape spacing and movement through shape design and rotation. The 4-day course includes free-motion machine embroidery, which can be applied to the felt to further define shapes, gather thin felt to accent dimension and crater thick felt to create an embossed effect.
![STRONGFELT study of stacked partial felt with free-motion machine stitching](https://strongfelt.com/wp-content/uploads/2022/08/1_STRONGFELT-Study-stacked-partial-felt-with-free-motion-machine-stitching..jpg)
![STRONGFELT study of stacked partial felt with free-motion machine stitching](https://strongfelt.com/wp-content/uploads/2022/08/2_STRONGFELT-Study-stacked-partial-felt-with-free-motion-machine-stitching..jpg)
![STRONGFELT study of different integrities of partial felt compared to commercially prepared needle felt batts, 2016](https://strongfelt.com/wp-content/uploads/2022/08/3_STRONGFELT-study-of-different-integrities-of-partial-felt-compared-to-commercially-prepared-needle-felt-batts-2016..jpg)
![STRONGFELT workshop demo of positive and negative patterning](https://strongfelt.com/wp-content/uploads/2022/08/4_STRONGFELT-Study-positive-and-negative-patterning..jpg)
![Alison Fischer's positive and negative partial felt patterning and image silhouettes, Textiles Today workshop, Ft. Lewis College, Durango CO, 2012](https://strongfelt.com/wp-content/uploads/2022/08/5_Alison-Fischer_s-positive-and-negative-partial-felt-patterning-and-image-silhouettes-_Textiles-Today_-workshop-Ft.-Lewis-College-Durango-CO-2012..jpg)
![Partcipant's rasied partial felt patterning, Textiles Today Exhibition Workshop, Ft Lewis College, Durango, CO, 2012](https://strongfelt.com/wp-content/uploads/2022/08/6_Partcipant_s-rasied-partial-felt-patterning-_Textiles-Today_-Exhibition-Workshop-Ft-Lewis-College-Durango-CO-2012..jpg)
![Laura Vernon Rusell & Susan Mac Lean developing patterns to cut from partial felt, STRONGFELT Studio workshop, Asheville, NC, 2016](https://strongfelt.com/wp-content/uploads/2022/08/7_Laura-Vernon-Rusell-_-Susan-Mac-Lean-developing-patterns-to-cut-from-partial-felt-STRONGFELT-Studio-workshop-Asheville-NC-2016..jpg)
![Kate Veness-Meehan (front) and Viola Spells laying out patterns & color gradations, STRONGFELT Studio workshop, Asheville, NC, 2014](https://strongfelt.com/wp-content/uploads/2022/08/8_Kate-Veness-Meehan-front-and-Viola-Spells-laying-out-patterns-_-color-gradations-STRONGFELT-Studio-workshop-Asheville-NC-2014..jpg)
![Kate Veness-Meehan practicing free-motion machine stitching control on Tyvek, STRONGFELT Studio, 2014](https://strongfelt.com/wp-content/uploads/2022/08/9_Kate-Veness-Meehan-practicing-free-motion-machine-stitching-control-on-Tyvek-STRONGFELT-Studio-2014..jpg)
![Nancy Oxford free-motion machine stitching line and partial felt patterning, Appalachian Center for Craft workshop, Smithville, TN, 2017](https://strongfelt.com/wp-content/uploads/2022/08/9_Nancy-Oxford-free-motion-machine-stitching-line-and-partial-felt-patterning-Appalachian-Center-for-Craft-workshop-Smithville-TN-2017..jpg)
![Susannah Hera free-motion machine stitching line and partial felt patterning, Appalachian Center for Craft workshop, Smithville, TN, 2017](https://strongfelt.com/wp-content/uploads/2022/08/10_Susannah-Hera-free-motion-machine-stitching-line-and-partial-felt-patterning-Appalachian-Center-for-Craft-workshop-Smithville-TN-2017..jpg)
![Laura Vernon Rusell's free-motion machine stitching on raised partial felt patterning, STRONGFELT Studio workshop, Asheville, NC, 2016](https://strongfelt.com/wp-content/uploads/2022/08/11__Laura-Vernon-Rusell_s-free-motion-machne-stitching-on-raised-partial-felt-patterning-STRONGFELT-Studio-workshop-Asheville-NC-2016..jpg)
![STRONGFELT work, partial felt patterning and free-motion machine stitching on a hangbag](https://strongfelt.com/wp-content/uploads/2022/08/12_STRONGFELT-work-partial-felt-patterning-and-free-motion-machine-stitching-on-a-hangbag.jpg)
Felt Fusion Through Substrates: Texturing, Edging and Free-motion Embroidery
*All levels | suggested time: 3-5 day course
Fusion (also known as nuno, laminate and hybrid) is the term Klakulak uses to refer to the coercing of wool fibers through other pre-structured fabrics. Participants will understand the variables in this process in order to gain control and desired results. The workshop focuses on experimenting with various substrate materials and structures (not only silks!), controlling the type of fabric texture achieved including the use of partial felts as a texture resist and sampling a variety of ways to finish the edges of the fabric inclusion (tacked edge, partial felt edge and partial felt patterned edge). A 4-day course includes free-motion machine embroidery, which can be applied to the felt to further define shape edges, accent texture fields and crater thick felt to create an embossed effect. A 5-day course has been offered under the title of Depth of Surface, Depth of Field which incorporates additional studies from Fabric Fusion & Object Inclusion as well as project envisioning/calculating from chosen effects from class studies.
![STRONGFELT study of layering substrates to strategically block fiber fusion](https://strongfelt.com/wp-content/uploads/2023/11/STRONGFELT-Study-Fabric-Fusion.jpg)
![Els Bortier's study layering substrates to strategically block fiber fusion and create a playground for free-motion embroidery](https://strongfelt.com/wp-content/uploads/2023/11/IMG_1245-copy.jpg)
![STRONGFELT study of partial felt texture resist with synthetic knit and free-motion machine stitching](https://strongfelt.com/wp-content/uploads/2022/08/1_STRONGFELT-Study-of-partial-felt-texture-resist-with-synthetic-knit-and-free-motion-machine-stitching..jpg)
![STRONGFELT study of partial felt patterning visible though cheescloth and as a fabric texture resist with free-motion machine stitching](https://strongfelt.com/wp-content/uploads/2022/08/2_-STRONGFELT-Study-of-partial-felt-patterning-visible-though-cheescloth-and-as-a-fabric-texture-resist-with-free-motion-machine-stitching..jpg)
![Yaroslava Troynich's study of fabric density and textural effect, Wollknoll workshop, Oberrot, Germany, 2022](https://strongfelt.com/wp-content/uploads/2022/08/4_Yaroslava-Troynich_s-study-on-fabric-density-and-textural-effect-Wollknoll-workshop-Oberrot-Germany-2022..jpg)
![Participant's studies of partial felt integrity effecting cut edge bleed and fabric texturing, Ullform workshop, Stavanger, Norway, 2013](https://strongfelt.com/wp-content/uploads/2022/08/5_Participant_s-studies-of-partial-felt-integrity-effecting-cut-edge-bleed-and-fabric-texturing-Ullform-workshop-Stavanger-Norway-2013..jpg)
![Participant's study of the effects of different integrities and colors of partial felt, Arrowmont School of Arts & Crafts workshop, Gatlinburg, TN, 2018](https://strongfelt.com/wp-content/uploads/2022/08/9_Participant_s-study-of-the-effects-of-different-integrities-and-colors-of-partial-felt-Arrowmont-School-of-Arts-_-Crafts-workshop-Gatlinburg-TN-2018..jpg)
![Andrea Nicola's study of partial felt as a texture resist above and below different fabric types, Wollknoll workshop, Oberrot, Germany, 2022](https://strongfelt.com/wp-content/uploads/2022/08/6_-Andrea-Nicola_s-study-of-partial-felt-texture-resist-on-and-through-study-6-different-fabric-variables-Wollknoll-workshop-Oberrot-Germany-2022..jpg)
![Joyce Gordon designing partial felt patterning in response to the fabrics patterning, Maiwa School of Textiles workshop, Granville Island, Vancouver, CA, 2017](https://strongfelt.com/wp-content/uploads/2022/08/7_Joyce-Gordon-designing-partial-felt-patterning-in-response-to-the-fabrics-patterning-Maiwa-School-of-Textiles-workshop-Granville-Island-Vancouver-CA-2017-.jpg)
![STRONGFELT study of partial felt patterning in response to cotton fabric's prior surface design with free-motion machine stitching](https://strongfelt.com/wp-content/uploads/2022/08/3_-STRONGFELT-Study-of-partial-felt-patterning-in-response-to-cotton-fabric_s-prior-surface-design-with-free-motion-machine-stitching..jpg)
![Ursula Weisgerber's study of partial felt as a texture resist on various fabric types with free-motion machine stitching, Wollknoll workshop, Oberrot, Germany, 2022](https://strongfelt.com/wp-content/uploads/2022/08/9_Ursula-Weisgerber_s-study-of-partial-felt-as-texture-resist-on-6-fabric-variables-with-free-motion-machine-stitching-Wollknoll-workshop-Oberrot-Germany-2022..jpg)
![STRONGFELT study adding stitched density to a very permeable substrate to strategically block fiber fusion](https://strongfelt.com/wp-content/uploads/2023/11/IMG_1011-copy.jpg)
*Intermediate & Advanced| suggested time: 3-5 day course
Introducing alternative materials and objects in your felt work has the potential to add color, texture diversity, associations based on memory and experience as well as weight and movement to your work. Participants are asked to bring a range of objects to incorporate as well as suggested types of fabric. A variety of choice fabrics are also provided based on their translucent and stretch allowing for modified viewing of the objects that will be entrapped under and between fabrics. Objects placed under fabric act as both a color and texture resist by blocking wool fiber from penetrating the fabric creating a rich contrast with the surrounding fabric fusion. Methods for structuring double sided fabric windows within a layout will also be explored: cut from a field of partial felt, using strips of partial felt to seal fabric pockets and partial felt sandwiched between fabrics. A 4-day course includes free-motion embroidery. A 5-day course has been offered under the title of Depth of Surface, Depth of Field which incorporates additional studies from Felt Fusion Through Substrates as well as project envisioning/calculating from chosen effects from class studies.
![STRONGFELT study for the 5-day workshop "Depth of Surface & Depth of Field" workshop](https://strongfelt.com/wp-content/uploads/2023/11/N292_Opening-Up-Collar_summer-2020-SM-1023-copy-2.jpg)
![STRONGFELT work "Seeing Through" N225, detail of object entrapment in fabric windows and free-motion machine stitching, 2016](https://strongfelt.com/wp-content/uploads/2022/08/14_-STRONGFELT-work-_Seeing-Through_-N225-detail-of-object-enrapment-in-fabric-windows-and-free-motin-machine-stitching-2016.jpg)
![STRONGFELT study of object entrapment under fabric](https://strongfelt.com/wp-content/uploads/2022/08/1_STRONGFELT-study-of-object-entrapment-under-fabric.jpg)
![STRONGFELT study of object entrapment under fabric](https://strongfelt.com/wp-content/uploads/2022/08/2_STRONGFELT-study-of-object-entrapment-under-fabric.jpg)
![Participant's entrapped objects under various fabrics, Felter's Rendezvous workshop, Estes Park, CO, 2017](https://strongfelt.com/wp-content/uploads/2022/08/3_-Participant_s-entrapped-objects-under-various-fabrics-Felter_s-Rendezvous-workshop-Estes-Park-CO-2017..jpg)
![Andrea Nicola's study of object entrapment under various fabric types, Wollknoll workshop, Oberrot, Germany, 2022](https://strongfelt.com/wp-content/uploads/2022/08/3_Andrea-Nicola_s-study-of-object-entrapment-under-fabric-Wollknoll-workshop-Oberrot-Germany-2022.-.jpg)
![Participant's study of object entrapment under fabric, Wollknoll workshop, Oberrot, Germany, 2022](https://strongfelt.com/wp-content/uploads/2022/08/4_Participant_s-study-of-object-entrapment-under-fabric-Wollknoll-workshop-Oberrot-Germany-2022.jpg)
![STRONGFELT class demonstration of a layout for object entrapment in fabric windows and edging techniques](https://strongfelt.com/wp-content/uploads/2022/08/5_STRONGFELT-layout-for-study-of-object-entrapment-in-fabric-windows-_-edging-techniques-copy.jpg)
![Nancy Oxford's study of object entrapment in fabric windows, edging techniques, Appalachian Center for Craft, Smithville, TN, 2017](https://strongfelt.com/wp-content/uploads/2022/08/6_Nancy-Oxford_s-study-of-object-entrapment-in-fabric-windows-_-edging-techniques-Appalachian-Center-for-Craft-Smithville-TN-2017..jpg)
![Participant's study of object entrapment in fabric windows and edging techniques, Felters Rendezvous, Estes Park, CO, 2017](https://strongfelt.com/wp-content/uploads/2022/08/7_Participant_s-study-of-object-entrapment-in-fabric-windows-_-edging-techniques-Felters-Rendezvous-Estes-Park-CO-2017.-.jpg)
![Marion Ranker's study of object entrapment in fabric windows, Wollknoll, Oberrot, Germany, 2022](https://strongfelt.com/wp-content/uploads/2022/08/8_Marion-Ranker-Wollknoll-2022-copy.jpg)
![STRONGFELT study of object entrapment under fabric, partial felt as texture resist on top and underneath fabric and free-motion machine stitching](https://strongfelt.com/wp-content/uploads/2022/08/9_STRONGFELT-study-of-object-entrapemtn-under-fabric-with-partial-felt-as-texture-resist-on-top-and-free-motion-machine-stitching.-1.jpg)
![STRONGFELT study of object entrapment under fabric, partial felt as texture resist on top and underneath fabric and free-motion machine stitching](https://strongfelt.com/wp-content/uploads/2022/08/10_STRONGFELT-study-of-object-entrapemtn-under-fabric-with-partial-felt-as-texture-resist-on-top-and-free-motion-machine-stitching.-1.jpg)
![Libby Barringer's project for the 5-day "Depth of Surface & Depth of Field" workshop at Eva Camancho Sanchez's Studio, North Hampton, MA, 2020](https://strongfelt.com/wp-content/uploads/2022/08/11_Libby-Barringer_s-project-for-the-5-day-_Depth-of-Surface_Depth-of-Field_-workshop-at-Eva-Camancho-Sanchez_s-Studio-North-Hampton-MA-2020..jpg)
![Sibel Adali's project for the 5-day "Depth of Surface & Depth of Field" workshop at Eva Camancho Sanchez's Studio, North Hampton, MA, 2020](https://strongfelt.com/wp-content/uploads/2022/08/12_Sibel-Adali_s-project-for-the-5-day-_Depth-of-Surface_Depth-of-Field_-workshop-at-Eva-Camancho-Sanchez_s-Studio-North-Hampton-MA-2020..jpg)
*Intermediate & Advanced | suggested time: 5 day course
Develop your own imagery in felt through the wet felting technique of arranging partial felt in a mosaic. Participants will reproduce their drawn images and/or existing images of their own choosing from hand made partial felts shrunk to a specified degree of possible shrinkage to achieve image clarity on a background of fiber without blurring or buckling. This class offers skill building for drawing with proportion and perspective as well as knowledge of the color globe for hand carding tints, shades and intensities of fiber in order to render objects realistically. Images will be embedded in a composition incorporating pre-structured fabrics fused with felt to add texture, pattern and to support the concept. Free-motion machine embroidery, will then be applied to further define shapes, add details of shading and tinting, more texture and perhaps some text?
![STRONGFELT teaching sample from John C Campbell workshop, Brasstown, NC 2009](https://strongfelt.com/wp-content/uploads/2022/08/3_STRONGFELT-teaching-sample-from-John-C-Campbell-workshop-Brasstown-NC-2009.jpg)
![Gay Vogt's study of the similarities of a screwdriver and a squid using partial felt mosaic technique for "Squiddriver," John C Campbell Folk School workshop, Brasstown, NC, 2010](https://strongfelt.com/wp-content/uploads/2022/08/4_Gay-Vogt_s-study-of-the-similarities-of-a-screwdriver-and-a-squid-using-partial-felt-mosaic-technique-for-_Squiddriver_-John-C-Campbell-Folk-School-workshop-Brasstown-NC-2010..jpg)
![Dee Dee Triplett's study rendering a dimensional spoon using perspective and lighting, John C Campbell Folk School, Brasstown, NC, 2010](https://strongfelt.com/wp-content/uploads/2022/08/5_Dee-Dee-Triplett_s-study-rendering-a-dimensional-spoon-using-perspective-and-lighting-John-C-Campbell-Folk-School-Brasstown-NC-2010..jpg)
![Alison Fischer's study of using partial felt mosaic technique to render a dimensional image, Textiles Today workshop, Ft. Lewis College, Durango, CO, 2012](https://strongfelt.com/wp-content/uploads/2022/08/6_Alison-Fischer_s-study-of-using-partial-felt-mosaic-technique-to-render-a-dimensional-image-_Textiles-Today_-workshop-Ft.-Lewis-College-Durango-CO-2012..jpg)
![Sara Julsrud's study using partial felt mosaic technique, Taos Wool Festival, Taos, NM, 2009](https://strongfelt.com/wp-content/uploads/2022/08/8_Sara-Julsrud_s-study-using-partial-felt-mosaic-technique-Taos-Wool-Festival-Taos-NM-2009..jpg)
![STRONGFELT work, "Still Life with Rabbit," using high shrinkage partial felt mosaic technique with fabric fusion and free-motion machine stitching, 2009](https://strongfelt.com/wp-content/uploads/2023/09/Still-LIfe-With-Rabbit-SM_9-9-09-copy-3.jpg)
![Maureen Koski's portraiture study using partial felt mosaic technique, Taos Wool Festival, Taos, NM, 2009](https://strongfelt.com/wp-content/uploads/2022/08/9_Maureen-Koski_s-portraiture-study-using-partial-felt-mosaic-technique-Taos-Wool-Festival-Taos-NM-2009.-.jpg)
![STRONGFELT class demonstation, New England Felting Supply, Northampton, MA, 2013](https://strongfelt.com/wp-content/uploads/2022/08/10_STRONGFELT-class-demonstation-New-England-Felting-SupplyNorthampton-MA-2013..jpg)
![STRONGFELT portrait layout of high shrinkage partial felt mosaic technique](https://strongfelt.com/wp-content/uploads/2022/08/1_STRONGFELT-portrait-layout-of-high-shrinkage-partial-felt-mosaic-technique.jpg)
![Participants' class studies of rendering a cup dimensionally in felt employing perspective, shading and free-motion stitching to sharpen details, Ullform workshop, Stavanger, Norway, 2012](https://strongfelt.com/wp-content/uploads/2022/08/11_Class-studies-of-rendering-a-cup-dimensionally-in-felt-employing-perspective-shading-and-free-motion-stitching-to-sharpen-details-Ullform-workshop-Stavanger-Norway-2012..jpg)
![Shelley Jones study rendering glasses with high shrinkage partial felt, Penland School of Crafts, "Felt Technical, Felt Innovative" Fiber Concentration, Penland, NC, 2010](https://strongfelt.com/wp-content/uploads/2022/08/12_Shelley-Jones-study-rendering-glasses-with-high-shrinkage-partial-felt-Penland-School-of-Crafts-_Felt-Technical_Felt-Innovative_-Fiber-Concentration-Penland-NC-2010.-.jpg)
![Lucia Taxdal's study of using partial felt mosaic technique to render imagery, Penland School of Crafts, "Felt Technical, Felt Innovative" Fiber Concentration, Penland, NC, 2010](https://strongfelt.com/wp-content/uploads/2022/08/13_Lucia-Taxdal_s-study-of-using-partial-felt-mosaic-technique-to-render-imagery-Penland-School-of-Crafts-_Felt-Technical_Felt-Innovative_-Fiber-Concentration-Penland-NC-2010..jpg)
![STRONGFELT teaching demonstration](https://strongfelt.com/wp-content/uploads/2023/09/STRONGFELT-imagery-demo.jpg)
![Jessie Conley's study creating impressionistic imagery with lower integrity partial felt and un-felted fiber, John C Campbell Folk School workshop, Brasstown, NC, 2009](https://strongfelt.com/wp-content/uploads/2022/08/14_Jessie-Conley_s-study-creating-more-impressionistic-imagery-with-lower-integrity-partial-felt-and-unfelted-fiber-John-C-Campbell-Folk-School-workshop-Brasstown-NC-2009..jpg)
![STRONGFELT work using high shrinkage partial felt mosaic technique with free-motion machine stitching, 2011](https://strongfelt.com/wp-content/uploads/2022/08/15_STRONGFELT-work-using-high-shrinkage-partial-felt-mosaic-technique-integrated-into-a-background-with-free-motion-machine-stitching-2011..jpg)
Course Descriptions:
Three-DIMENSIONAL FELTING TECHNIQUES
Please click arrow for the course description
*All levels | suggested time: 3 day course
Explore solid felt forms of spheres, discs, barrels, cones, hoops and cords. Learn graceful connection techniques for wet felting these basic forms together to make more complex clasps, hinges, and undulating cords applicable for adornment, wearable closures and/or sculptural elements. Learn the appropriate tension and crosshatched preparation for dry wrapping and needle felting when preparing solid forms for wet felting. This technical sequence provides ample air space for shrinkage resulting in well-integrated surfaces that won’t pill! Additionally, explore the integration of partially felted shapes in the dry preparation to create more geometric forms by providing specific areas of greater felt density.
![STRONGFELT studies exploring connections of solid forms and partial felt components](https://strongfelt.com/wp-content/uploads/2022/08/1_STRONGFELT-studies-exploring-connections-of-solid-forms-and-partial-felt-components.jpg)
![STRONGFELT work, "Blue Reach," a study of multiple clasping and closure mechanisms connected to a 2D cuff base, 2017](https://strongfelt.com/wp-content/uploads/2023/09/Blue-Reach-2017.jpg)
![Ellen Baker preparing a cord with color gradation, Happerschoss workshop, Germany, 2013](https://strongfelt.com/wp-content/uploads/2022/08/2_Ellen-Baker-preparing-a-cord-with-color-gradation-Happrschoss-workshop-Germany-2013..jpg)
![Susanna Hohman felting mutliple cords with dry end connections for joining to other surfaces, STRONGFELT Studio workshop, Asheville, NC, 2014](https://strongfelt.com/wp-content/uploads/2022/08/3_Susanna-Hohman-felting-mutliple-cords-with-dry-end-connections-for-joining-to-other-surfaces-STRONGFELT-Studio-workshop-Asheville-NC-2014..jpg)
![Participant's directionally fulled cords mimicking the horn in the studio, Felt in the Factory workshop, Herfordshire, UK, 2016](https://strongfelt.com/wp-content/uploads/2022/08/4_Participant_s-directionally-fulled-cords-mimicking-the-horn-in-the-studio-Felt-in-the-Factory-workshop-Herfordshire-UK-2016..jpg)
![Basma Ashworth connecting multiple balls to a singular skin, Felt in the Factory workshop, Herefordshire, UK, 2016](https://strongfelt.com/wp-content/uploads/2022/08/5_Basma-Ashworth-connecting-multiple-balls-to-a-singular-skin-Felt-in-the-Factory-workshop-Herefordshire-UK-2016..jpg)
![Minka De Weerd constructing solid forms on cords for attachement to other surfaces, Vrouw Wolle workshop, Essen, Belgium, 2022](https://strongfelt.com/wp-content/uploads/2022/08/6_Minka-De-Weerd-constructing-solid-forms-on-cords-for-attachement-to-other-surfaces-Vrouw-Wolle-workshop-Essen-Belgium-2022..jpg)
![Noelia Martinez building complex compostions by connecting solid forms within one continuous skin, Montevideo workshop, Uruguay, 2018](https://strongfelt.com/wp-content/uploads/2022/08/6_Noelia-Martinez-building-complex-compostions-by-connecting-solid-forms-within-one-continuous-skin-Montevideo-workshop-Uruguay-2018..jpg)
![STRONGFELT work composing multiple solid forms into a seamless formation](https://strongfelt.com/wp-content/uploads/2022/08/7_STRONGFELT-work-composing-multiple-solid-forms-into-a-seamless-formation.-.jpg)
![STRONGFELT work, "Gather, Coil," connecting multiple cords of .2" diameter to partial felt shapes for pendant and clasp, 2016](https://strongfelt.com/wp-content/uploads/2023/09/Solid-Form-Cords-and-Partial-Felt-ShapeClasp.jpg)
![Leni Leib building complex compostions by connecting solid forms within one continuous skin, Montevideo workshop, Uruguay, 2018](https://strongfelt.com/wp-content/uploads/2022/08/8_Leni-Leib-building-complex-compostions-by-connecting-solid-forms-within-one-continuous-skin-Montevideo-workshop-Uruguay-2018..jpg)
![STRONGFELT teaching studies for incorporating planes of partial felt with solid forms, Maiwa School of Textiles, Granville Island, Vancouver, BC, Canada. 2017](https://strongfelt.com/wp-content/uploads/2022/08/9_STRONGFELT-teaching-studies-for-incorporating-planes-of-partial-felt-with-solid-forms-Maiwa-School-of-Textiles-Granville-Island-Vancouver-BC-Canada.-2017.jpg)
![Michelle Nerinckx's study incorporating partial felt planes with solid forms for clasps and closures, Vrouw Wolle workshop, Essen, Belgium, 2022](https://strongfelt.com/wp-content/uploads/2022/08/10_Michelle-Nerinckx_s-study-incorporating-partial-felt-planes-with-solid-forms-for-clasps-and-closures-Vrouw-Wolle-workshop-Essen-Belgium-2022..jpg)
![Femke Verlinden's study incorporating partial felt planes with solid forms for clasps and closures, Vrouw Wolle workshop, Essen, Belgium, 2022](https://strongfelt.com/wp-content/uploads/2022/08/11_Femke-Verlinden_s-study-incorporating-partial-felt-planes-with-solid-forms-for-clasps-and-closures-Vrouw-Wolle-workshop-Essen-Belgium-2022.jpg)
![Participants' studies from 3-day course, Feutre Formation France workshop, Montbrun-Bocage, France, 2022](https://strongfelt.com/wp-content/uploads/2022/08/12_Participants-studies-from-3-day-course-Feutre-Formation-France-workshop-Montbrun-Bocage-France-2022.-.jpg)
![Violeta Calzada composing with solid forms to create clasping components, Feutre Formation France, Montbrun-Bocage, France, 2022](https://strongfelt.com/wp-content/uploads/2022/08/13_Violeta-Calzada-composing-with-solid-forms-to-create-clasping-components-Feutre-Formation-France-Montbrun-Bocage-France-2022..jpg)
![Renate Jost composing multiple solid forms into a seamless formation, Mostviertler-Werkstatt workshop, Ybbsitz, Austria, 2016](https://strongfelt.com/wp-content/uploads/2022/08/14_Renate-Jost-composing-multiple-solid-forms-into-a-seamless-formation-Mostviertler-Werkstatt-workshop-Ybbsitz-Austria-2016..jpg)
![Cecilia Arellano composing multiple solid forms into a seamless formation, Anilinas Montblanc workshop, Santiago, Chile, 2016](https://strongfelt.com/wp-content/uploads/2022/08/15_Cecilia-Arellano-composing-multiple-solid-forms-into-a-seamless-formation-Anilinas-Montblanc-workshop-Santiago-Chile-2016..jpg)
*All levels | suggested time: 4 day course
Participants will study and explore numerous ways to bring three-dimensional surface textures to otherwise two-dimensional felt. The use of surface resists will be employed to create high-relief planes and pockets. The application of thick partial felts to a thin background fleece will result in undulating surfaces as a result of differential shrinkage and circumferential fulling. Combine these concepts of resists and partial felts to raise hollow forms from within the surface plane. Additionally, learn to attach basic solid felt forms of cords and balls (created by needle and wet felting techniques) to a surface plane.
![STRONGFELT work connecting multiple solid forms to protrude from a 2D surface](https://strongfelt.com/wp-content/uploads/2022/08/1_STRONGFELT-work-connecting-multiple-solid-forms-to-protrude-from-a-2D-surface.jpg)
![April Hale's study connecting intertwing cords to a surface, Arrowmont School of Arts Crafts, Gatlinburg, TN, 2010](https://strongfelt.com/wp-content/uploads/2022/08/2_April-Hale_s-study-connecting-intertwing-cords-to-a-surface-Arrowmont-School-of-Arts-_-Crafts-Gatlinburg-TN-2010..jpg)
![STRONGFELT work using solid form surface protuberances for bulbous surface texture and clasping components](https://strongfelt.com/wp-content/uploads/2022/08/3_STRONGFELT-work-using-solid-form-surface-protuberances-for-bulbous-surface-texture-and-clasping-components..jpg)
![Pam Wittfield's study of extreme differential shrinkage and perimetral fulling to raise form from a surface, Arrowmont School of Arts Crafts workshop "Out of this World," Gatlinburg, TN, 2012](https://strongfelt.com/wp-content/uploads/2022/08/4_Pam-Wittfields-study-of-extreme-differential-shrinkage-and-using-perimetral-fulling-to-raise-form-from-a-surface-Arrowmont-School-of-Arts-Crafts-workshop-Out-of-this-WorldGatlinburg-TN-2012..jpg)
![Tatiana Gvozdeva's study of extreme differential shrinkage and using perimetral fulling to raise form from a surface creating concavity on the reverse side, Sydney workshop, Australia, 2012](https://strongfelt.com/wp-content/uploads/2022/08/5_Tatiana-Gvozdeva_s-study-of-extreme-differential-shrinkage-and-using-perimetral-fulling-to-raise-form-from-a-surface-Sydney-workshop-Australia-2012..jpg)
![STRONGFELT study developing a hollow form within a surface plane using surface resists and partial felt](https://strongfelt.com/wp-content/uploads/2022/08/6_STRONGFELT-study-developint-a-hollow-form-with-a-surface-plane-using-surface-resists-and-partial-felt..jpg)
![STRONGFELT work connecting planes to a 2D surface to build a 3D flower](https://strongfelt.com/wp-content/uploads/2022/08/7-STRONGFELT-work-connecting-planes-to-a-2D-surface-to-build-a-3D-flower.jpg)
![STRONGFELT teaching demonstration exploring surface resists](https://strongfelt.com/wp-content/uploads/2022/08/8_STRONGFELT-teaching-sample-exploring-surface-resists.jpg)
![STRONGFELT study connecting protuberant solid forms to a surface and using partial felt to mask the transition](https://strongfelt.com/wp-content/uploads/2022/08/9_STRONGFELT-study-connecting-protuberant-solid-forms-to-a-surface-and-using-partial-felt-to-mask-the-transition.jpg)
*Intermediate & Advanced | suggested time: 4 day course
A course combining multiple three-dimensional techniques for small-scale object refinement. Design unique hollow forms and bails for hanging by using two-dimensional resists. Learn to encase durable found objects to add color, texture, material complexity and conceptual relevancy to your work. By simply wrapping fiber around an object one doesn’t provide ample space for the fibers to felt and therefore one must employ a resist larger than the object, which involves just a little calculation! Additionally, layer surface resists and partial felt to raise dimensional planes and explore the application of partial felt in a hollow form layout as a shrinkage resist to create convex surface protrusions that sculpt the form.
![STRONGFELT pendant studies using partial felt for surface planes, differential shrinkage and reveal hole edge support](https://strongfelt.com/wp-content/uploads/2023/11/pendants.jpg)
![STRONGFELT teaching study of sculpting small scale hollow form using extreme differential shrinkage and directional fulling](https://strongfelt.com/wp-content/uploads/2022/08/2_STRONGFELT-teaching-study-of-sculpting-small-scale-hollow-form-using-extreme-differential-shrinkage-and-directional-fulling-.jpg)
![Diane Corbett's study of sculpting a pendant form with extreme differential shrinkage and perimetral fulling, Pacific Northwest Art School, WA, 2023](https://strongfelt.com/wp-content/uploads/2023/11/Lapin-Brun.jpg)
![Peti van Noort's study of sculpting a pendant form with extreme differential shrinkage and perimetral fulling, Vrouw Wolle workshop, Essen, Belgium, 2022](https://strongfelt.com/wp-content/uploads/2022/08/5_Peti-van-Noort_s-study-of-sculpting-a-pendant-form-with-extreme-differential-shrinkage-and-directional-fulling-Vrouw-Wolle-workshop-Essen-Belgium-2022..jpg)
![Henny van Tussenbroek's study of encasing an object in a high shrinkage felt skin, Vrouw Wolle workshop, Essen, Belgium, 2022](https://strongfelt.com/wp-content/uploads/2022/08/12_Henny-van-Tussenbroek_s-study-of-encasing-an-object-in-a-high-shrinkage-felt-skin-Vrouw-Wolle-workshop-Essen-Belgium-2022..jpg)
![Minka de Weerd's study of encasing an object in a high shrinkage felt skin, Vrouw Wolle, Essen, Belgium, 2022](https://strongfelt.com/wp-content/uploads/2022/08/14_Minka-de-Weerd_s-study-of-encasing-an-object-in-a-high-shrinkage-felt-skin-Vrouw-Wolle-Essen-Belgium-2022.-.jpg)
![STRONGFELT class demo using partial felt for a spiral of surface planes, Pacific Northwest Art School, WA 2023](https://strongfelt.com/wp-content/uploads/2023/11/Spiral-pendnat-no-stick.jpg)
![Jane Mercer's study building surface planes on a hollow form pendant or eye glass ornament!, Atelier Fiberfusing, Netherlands, 2014](https://strongfelt.com/wp-content/uploads/2022/08/7_Jane-Mercer_s-study-building-surface-planes-on-a-hollow-form-pendant-or-eye-glass-ornament-Atelier-Fiberfusing-Netherlands-2014..jpg)
![Sharon Miller's study of a hollow form with multiple plane protrusions, STRONGFELT Studio workshop, Asheville, NC, 2013](https://strongfelt.com/wp-content/uploads/2022/08/8_Sharon-Miller_s-study-of-a-hollow-form-with-multiple-plane-protrusions-STRONGFELT-Studio-workshop-Asheville-NC-2013.jpg)
![Sidsel Saterhaug layering surface resists and partial felts to built surface planes, Ullform workshop, Stavanger, Norway, 2013](https://strongfelt.com/wp-content/uploads/2022/08/9_Sidsel-Saterhaug-layering-surface-resists-and-partial-felts-to-built-surface-planes-Ullform-workshop-Stavanger-Norway-2013..jpg)
![Susan Hall's study layering surface resists and partial felts to built surface planes, Point Reyes workshop, CA 2013](https://strongfelt.com/wp-content/uploads/2022/08/10_Susan-Hall_s-study-layering-surface-resists-and-partial-felts-to-built-surface-planes-Point-Reyes-workshop-CA-2013..jpg)
![STRONGFELT teaching studies demonstrating various techniques taught in this course](https://strongfelt.com/wp-content/uploads/2022/08/1_STRONGFELT-teaching-studies-demonstrating-all-techniques-taught-in-this-course.jpg)
![Participants' studies developing hollow form bell shapes with hanging bails, Point Reyes workshop, CA, 2013](https://strongfelt.com/wp-content/uploads/2022/08/4_Participants_-studies-developing-hollow-form-bell-shapes-with-hanging-bails-Point-Reyes-workshop-CA-2013..jpg)
![STRONGFELT teaching demonstration of encasing an object and connecting multiple hollow forms, Atelier Fiberfusing, Netherlands, 2014](https://strongfelt.com/wp-content/uploads/2022/08/6_STRONGFELT-teaching-study-of-encasing-an-object-and-connecting-multiple-hollow-forms-Atelier-Fiberfusing-Netherlands-2014..jpg)
![Eunice Way's study of encasing a shell with a high shrinkage skin to reveal the contours, Hawaii Craftsmen Guild worskhop, Oahu, Hawaii, 2017](https://strongfelt.com/wp-content/uploads/2022/08/11_Eunice-Way_s-study-of-encasing-a-shell-with-a-high-shrinkage-skin-to-reveal-the-contours-Hawaii-Craftsmen-Guild-worskhop-Oahu-Hawaii-2017..jpg)
![Els Bortier's study of encasing an object in a high shrinakge felt skin, Vrouw Wolle, Essen, Belgium, 2022](https://strongfelt.com/wp-content/uploads/2022/08/13_Els-Bortier_s-study-of-encasing-an-object-in-a-high-shrinakge-felt-skin-Vrouw-Wolle-Essen-Belgium-2022..jpg)
*Intermediate & Advanced | suggested time: 4-5 day course
Learn technique for layout/wrapping of various 2D resist template shapes in a consistent thinness of wool fiber while simultaneously integrating distinct areas of denser layout and partial felt shapes to exploring differences of shrinkage as a means of sculpting surface relief and hollow form. In addition to raising form and varying the shrinkage of the form’s wall, applying perimetral fulling of the incorporated partial felt allows one to alter the surface plane to achieve deeply concave and robustly protuberant curves while sculpting forms previously unimaginable. Participants will make partially felted sheets of fiber in varying thicknesses and states of structural integrity to cut and apply in their fiber layout. Studies will focus on raising a form from a single 2D plane, sculpting various hollow forms from a circular template, expanding possibilities with various template shapes and in a 5-day course, exploring 3D partial felts! Proper fulling, the thickness of the vessel’s wall in relationship to its surface area and interior volume and the amount of and placement of denser areas of partial felt as structural support will determine the forms integrity. Hand stitched structural ribbing , steam blocking and shellac stiffening can then be applied to further refine the form’s posture and presence.
![STRONGFELT teaching demonstration applying partial felt to a layout around a circular template to develop concave and convex surfaces that alter the form](https://strongfelt.com/wp-content/uploads/2023/11/3-Foot-Base-Hollow-Form.jpg)
![Dorothea Trauffer's studies using a circular and altered resist template shape, FilzSzene Workshop, Waltensburg, Switzerland, 2023, photo credit: Stefanie Hofmann](https://strongfelt.com/wp-content/uploads/2023/11/IMG_2171-copy.jpg)
![Lisa Klakulak appreciating the puckered protrusions on Evelyn Carcaterra's study of dramatic differential shrinakge, Waltensburg, Switzerland, 2023, photo credit: Stefanie Hofmann](https://strongfelt.com/wp-content/uploads/2023/11/IMG_2170-copy.jpg)
![STRONGFELT teaching demonstration raising a form from a 2D plane using differential shrinkage and directional fulling and the multiple finishing options from the same form, Pacific NW Art School workshop, Whidbey Island, WA, 2017](https://strongfelt.com/wp-content/uploads/2022/08/1_-2.jpg)
![Annelie Richardson's sculpted hollow form, Ullform workshop, Stavanger, Norway, 2012](https://strongfelt.com/wp-content/uploads/2022/08/5_Annelie-Richardson_s-sculpted-hollow-form-Ullform-workshop-Stavanger-Norway-2012..jpg)
![Participant's study of extreme differential shrinkage and directional fulling alongside STRONGFELT's original agitation tool, Taos Wool Festival, Taos, NM, 2011](https://strongfelt.com/wp-content/uploads/2022/08/4_Participant_s-study-of-extreme-differential-shrinkage-and-directional-fulling-alongside-STRONGFELT_s-original-agitation-tool-Taos-Wool-Festival-Taos-NM-2011..jpg)
![Connie Spiegl's study of sculpting form with the application of partial felt for differential shrinkage on a circular template, Atelier Fiberfusing workshop, Netherlands, 2014](https://strongfelt.com/wp-content/uploads/2022/08/6_Connie-Spiegl_s-study-of-sculpting-form-with-the-application-of-partial-felt-for-differential-shrinkage-on-a-circular-template-Atelier-Fiberfusing-workshop-Netherlands-2014..jpg)
![Audrey Legatowicz inflating her hollow form study, Form & Concept workshop in conjunction with Lisa Klakulak's solo exhibition, "Since Taos," Santa Fe, NM, 2019](https://strongfelt.com/wp-content/uploads/2022/08/7_Audrey-Legatowicz-inflating-her-hollow-form-study-Form-_-Concept-workshop-in-conjunction-with-Lisa-Klakulak_s-solo-exhibition-_Since-Taos_-Santa-Fe-NM-2019..jpg)
![Participants' hollow forms raised from a circular template and sculpted using differential shrinkage and directional fulling, Feutre Formation France workshop, Montbrun-Bocage, France, 2022](https://strongfelt.com/wp-content/uploads/2022/08/8_Participant_s-hollow-forms-raised-from-a-circular-template-and-sculpted-using-differential-shrinkage-and-directional-fulling-Feutre-Formation-France-workshop-Montbrun-Bocage-France-2022..jpg)
![Mandy Nash's study of a scalloped form on an elongated template, Feutre Formation France, Montbrun-Bocage, France, 2022](https://strongfelt.com/wp-content/uploads/2022/08/9_Mandy-Nash_s-study-of-a-scalloped-form-on-an-elongated-template-Feutre-Formation-France-Montbrun-Bocage-France-2022..jpg)
![Camila Mesquita exploring template resist shapes and mutiple openings in the form, Penland School of Crafts "Felt Technical & Felt Innovative" Fiber Concentration, Penland, NC, 2011](https://strongfelt.com/wp-content/uploads/2022/08/10_Camila-Mesquita-exploring-template-resist-shapes-and-mutiple-openings-in-the-form-Penland-School-of-Crafts-_Felt-Technical_Felt-Innovative_-2-month-Fiber-Concentration-Penland-NC-2011..jpg)
![Clare Ashton's study of sculpting hollow form using an altered template, Felt in the Factory workshop, Herefordshire, UK, 2016](https://strongfelt.com/wp-content/uploads/2022/08/11_Clare-Ashton_s-study-of-sculpting-hollow-form-using-an-altered-template-Felt-in-the-Factory-workshop-Herefordshire-UK-2016..jpg)
![Vivi's study of employing partial felt shapes on a tapered template, La Paloma workshop, Uruguay, 2018](https://strongfelt.com/wp-content/uploads/2022/08/12_Vivi-study-of-employing-partial-felt-shape-gradations-on-a-tapered-template-La-Paloma-workshop-Uruguay-2018.jpg)
![Marije Kooi inflating her hollow form study exploring an altered resist shape, application of partial felt and differential fulling, Atelier Fiberfusing workshop, Netherlands, 2013](https://strongfelt.com/wp-content/uploads/2022/08/3_Marije-Kooi-inflating-her-hollow-form-study-exploring-an-altered-resist-shape-application-of-partial-felt-and-differential-fulling-Atelier-Fiberfusing-workshop-Netherlands-2013.-.jpg)
![Sibylle Werner comparing her hollow form to the template shape that was used, Kunst-im-Souterrain workshop, Weisbaden, Germany, 2013](https://strongfelt.com/wp-content/uploads/2022/08/13_Sibylle-Werner-comparing-her-hollow-form-to-the-template-shape-that-was-used-Kunst-im-Souterrain-workshop-Weisbaden-Germany-2013..jpg)
![Hazel's study of using differential shrinkage and an altered template to develop a rather animal-like form!, Felt in the Factory workshop, Herefordshire, UK, 2016](https://strongfelt.com/wp-content/uploads/2022/08/14_Hazel_s-study-of-using-differential-shrinkage-and-an-altered-template-to-develop-a-rather-animal-like-form-Felt-in-the-Factory-workshp-Herefordshire-UK-2016..jpg)
![Sandy Compton's remarkable study of an anatomical heart being held by Lisa Klakulak, Galt Museum workshop, Lethbridge, Alberta, 2014](https://strongfelt.com/wp-content/uploads/2022/08/15_Sandy-Compton_s-remarkabe-study-of-an-anatomical-heart-being-held-by-Lisa-Klakulak-Galt-Museum-workshop-Lethbridge-Alberta-2014..jpg)
![Cheri Miller applying shellac stiffener to a fulled hollow form, STRONGFELT Studio, Asheville, NC, 2014](https://strongfelt.com/wp-content/uploads/2022/08/18_Cheri-Miller-applying-shellac-stiffener-to-a-fulled-hollow-form-STRONGFELT-Studio-Asheville-NC-2014..jpg)
![STRONGFELT form study applying partial felt to a layout around a circular template to develop concave and convex surfaces that alter the form](https://strongfelt.com/wp-content/uploads/2023/11/8-Ribbed-Hollow-Form.jpg)
![STRONGFELT studies of raising spheres from a 2D circular template with incremental changes in the weight of wool, photo credit: Stefanie Hofman](https://strongfelt.com/wp-content/uploads/2023/11/IMG_2167-copy.jpg)
![STRONGFELT work in process using an elongated template and strategically place partial felt to develop a spine, Foundation, 2012](https://strongfelt.com/wp-content/uploads/2022/08/17_STRONGFELT-work-in-process-using-an-elongated-template-and-strategically-place-partial-felt-to-develop-a-spine-_Foundation_-2012.jpg)